VIDEO & SOUND PRODUCTION EXERCISES
Emily Goh Jin Yee / 0357722 / Bachelor of Design (Honours) in Creative Media
Video & Sound Production / VSP60104 / Section 04
Exercises
TABLE OF CONTENTS
1. LECTURES
2. INSTRUCTIONS
3. TASKS
4. FEEDBACK
5. REFLECTION
LECTURES
Week 1- LECTURE
Pre-production
- Idea development
- Story
- Storyboard
- Visual References
- Location/ Props
- Lighting
- Costume
- Principal Shooting
- Offline Editing
- Online Editing
- Audio Editing
- Subject small against location
- Creates distance, emphasizes vastness
- Establishes context and atmosphere
- Subject’s whole body visible
- Establishes setting and context
- Emphasizes environment
- Subject fills frame, emphasizes scenery
- Frames subject from knees up
- Shows body language and context
- Frames from mid-thighs up
- Emphasizes lower and upper body actions
- Frames waist up
- Shows subject and surroundings
- Frames chest up
- Focuses on face, maintains some distance
- Frames part of subject, often face
- Reveals emotions
- Fills frame with part of subject
- Shows great detail
- Shows location at scene start
INSTRUCTIONS
<iframe src="https://drive.google.com/file/d/1ya0ChHZ5BkyN9zZFnIupcZuOTsR9SsNW/preview" width="640" height="480" allow="autoplay"></iframe>
<iframe src="https://drive.google.com/file/d/1dapVurC5c8SkeoJn6qGSF614d9qFif11/preview" width="640" height="480" allow="autoplay"></iframe>
Week 1 tasks reminder:
1.Document Editing exercise 1 & 2 (Mints & Doritos) in blog under Exercises section
2.Watch stop motion short, share 3 of your favourites in your blog under Final Project section
3.Purchase Tripod for Phone (with bluetooth remote control)
4.Watch Everything, everywhere, all at once (before week 3)
TASKS
EDITING EXERCISES
On the first week of class, we were required to download the footages from the given folders(1 & 2) and create 2 NEW Premiere Pro Projects by using Adobe Premium Pro. Then, document the process in our e-portfolio.
Steps:
1.Import footage into Premiere Pro
2.Arrange shots on timeline with proper order
3.Export video
We had practiced the first editing exercise during class with Mr Martin’s guidance, this helped us understand how it should be done and so we could complete the other exercise by our own at home.
WEEK 2 EXERCISE 1: SHOOTING PRACTICE EXERCISE
We had to do a shooting practice during class. After that, we had to shoot and edit the footage, adding the caption "Adobe Premiere Pro CC - Basic Titles for Beginners," and post it on our blog under the Exercises section.
Shoot eight videos following these shot sizes:
- Close-up shot
- Frontal MCU shot (soft background)
- Frontal MS (soft background)
- Extreme close-up shot
- Side angle MS (soft background)
- ¾ MCU shot (soft background)
- Low-angle wide shot
- Eye-level medium wide shot
Requirements:
- Work in pairs
- Shoot in landscape format
- 5 seconds per shot
- Avoid overexposure and underexposure
For this exercise, I was paired up with my partner Suet Yee to film and edit the videos. At first, we took the videos of ourselves inside and outside of the classroom, at the hallway and stairs on the same floor. However, after showing Mr Martin our filmed videos, it was not completely correct and didn't meet the requirements, so we had to retake.
Fig EW2.1.1 Shooting Practice Editing Exercise
WEEK 2 EXERCISE 2: EDITING PRACTICE
Editing Practice: "Lalin"
Last page of week 2 slides: VSP Framing & Storyboard.pptx
- Download the footage
- View the Original video
- Watch the Editing tutorial video
- Lalin final cut: Edit to 35 seconds sharp.
Document the process under under Exercises section.
After importing the footage into Adobe Premiere Pro, I arranged the sequence according to the original video. Initially, it took quite some time to adjust the length of the clips due to my unfamiliarity with the software. However, I gradually became more comfortable with cutting the videos. Additionally, I renamed the scenes to make the arrangement simpler and less confusing.
ASYNCHRONOUS CLASS MATERIALS
Week 1
The reading materials and video provided prepare students for the week 2 activities, where they need to understand the basics of cinematography, including shot size, camera angle, and composition, to practice shooting.
Shot size, camera angle, and composition are elements of visual storytelling used in film, television, and other visual media. Shot size refers to the amount of space visible within a single shot or frame. Different shot sizes convey different information or emotional effects. For instance, a close-up emphasizes a character's emotions, while a wide shot establishes the setting or context. Camera angle refers to the camera's position relative to the subject. High-angle shots can create a sense of vulnerability, while low-angle shots can create a sense of power.
Composition involves the arrangement of visual elements within a shot or frame, including the placement of characters or objects, use of color and lighting, and balance and symmetry. Composition creates visual interest, guides the viewer's eye, and conveys meaning or emotion. Together, shot size, camera angle, and composition are essential tools that filmmakers and visual storytellers use to create meaning and convey ideas to their audience.
Shot size
Reading: https://www.studiobinder.com/blog/ultimate-guide-to-camera-shots/#shot-size
Video: https://youtu.be/AyML8xuKfoc?si=_xLVEotEBZG9VQk2
Framing
Reading: https://www.studiobinder.com/blog/ultimate-guide-to-camera-shots/#camera-framing
Video: https://youtu.be/qQNiqzuXjoM?si=uMiCewr3kG-jVfsm
Camera Angle
Reading: https://www.studiobinder.com/blog/ultimate-guide-to-camera-shots/#camera-angles
Video: https://youtu.be/wLfZL9PZI9k?si=vr9Crx7oT86yrEbd
Composition
Reading: https://www.studiobinder.com/blog/rules-of-shot-composition-in-film/#:~:text=What%20is%20composition%3F,to%20convey%20an%20intended%20message.
Video: https://youtu.be/hUmZldt0DTg?si=2WBYvavmbtN9_fnL
Week 2
Read the articles and watch the videos provided, then complete the quiz to test our understanding on 3-act story structure.
Reading
https://www.studiobinder.com/blog/three-act-structure/
https://www.masterclass.com/articles/how-to-write-three-act-structure
Video
https://youtu.be/tvqjp1CxxD8?si=sgTSKNpGdkeSKgbq
Watch the short film "Lalin" and the movie "Everything, Everywhere, All at Once." Based on each of the movies, answer the questions twice, separately for 1. Lalin, 2. Everything, Everywhere, All at Once.
1. Which part is act 1, act 2, act 3 respectively? Describe each act with ONE paragraph only.
2. What is the inciting incident in the movie?
3. What is the midpoint scene in the movie?
4. What is the Climax scene in the movie?
5.What is the theme of the movie?
Short film "Lalin"
Act 1, act 2, act 3
Act 1 of "Lalin" introduces Lalin, a young girl who hides behind a mask due to her insecurity about her acne and portrays a fake version of her life on Instagram, where she edits her appearance in order to gain more likes and followers. Struggling with her identity and place in the world, she faces daily challenges. Act 2 sees Lalin meets someone, Nut, through online who needs her help to translate the book he wrote. They both develop strong feelings for each other through their online conversations. Despite this, Lalin still hides her face behind a mask. Their relationship reaches a turning point when Nut surprises Lalin by delivering a book in person instead of mailing it. Caught off guard and afraid to show her true self, Lalin avoids seeing him, highlighting her inner struggle. Act 3 shows Lalin realizing how important she meant to Nut after reading the book. Lalin decides to face her fears and insecurities, she runs to find Nut, ready to show him her true self and commit to their relationship with honesty and openness.
Inciting incident in the movie
The inciting incident in "Lalin" occurs when she starts a meaningful friendship with Nut on social media. This connection disrupts her monotonous life and sparks her journey towards self-discovery.
Midpoint scene in the movie
When Nut begins to ask Lalin deeper, more personal questions about the metaphorical mask she wears. Nut delivers the book to Lain in person, but she resists revealing her true self, feeling insecure on her appearance. Being unready, she pushes him away.
Climax scene in the movie
The climax occurs when Lalin reads the book that Nut left for her and discovers the significant impact she had on his life. This moment of revelation drives her to embrace her true self and prepare to reveal her vulnerabilities to Nut, marking a transformative point in her journey.
Theme of the movie
The theme of "Lalin" revolves around self-discovery and the quest for meaning in life. It explores the complexities of human emotions and the journey toward finding one's true self and purpose.
Movie "Everything, Everywhere, All at Once"
Act 1, act 2, act 3
Act 1 of "Everything, Everywhere, All at Once" introduces Evelyn Wang, a middle-aged Chinese-American woman overwhelmed by her struggling laundromat and her family relationships. Her world is upended when she receives an unexpected message from an alternate-universe version of her husband, Alpha Waymond, revealing the existence of the multiverse. This act establishes the chaotic and stressful life she leads, setting the stage for the extraordinary events to come. In Act 2, Evelyn's world expands as she discovers the existence of parallel universes. Navigating through these diverse realities, she encounters alternate versions of herself and gains new skills along the way. Her mission takes a critical turn as she endeavors to save the parallel universe from destruction, facing off against Jobu Tupaki, an alternate and malevolent version of her daughter, Joy. In Act 3, Evelyn confronts Jobu Tupaki, the antagonist threatening the multiverse, with empathy and acceptance. Their reconciliation brings closure as Evelyn embraces her powers and engages in a final showdown to save her family and the multiverse. Overcoming immense odds, she emerges victorious, concluding her journey with reconciliation, peace, and newfound understanding.
Inciting incident in the movie
The inciting incident in "Everything, Everywhere, All at Once" occurs when an alternate version of Evelyn's husband(Alpha Waymond)informs her about the existence of the multiverse and the imminent threat it faces, propelling her into an extraordinary adventure.
Midpoint scene in the movie
The midpoint scene is when Evelyn gains a deeper comprehension of her pivotal role in the multiverse. This realization shifts her from being a reluctant participant to embracing her responsibility, significantly raising the stakes of her journey.
Climax scene in the movie
Evelyn confronts Jobu Tupaki with a remarkable approach—not through violence, but with kindness and empathy. In a profound gesture, she counters Jobu Tupaki's despair with love, offering understanding and compassion in the face of adversity. This pivotal moment showcases Evelyn's growth and strength, illustrating the transformative power of empathy amidst conflict.
Theme of the movie
FEEDBACK
WEEK 1
General Feedback
Specific Feedback
WEEK 2
General Feedback
REFLECTION
Experience
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